{"id":3152,"date":"2018-05-07T18:14:00","date_gmt":"2018-05-07T18:14:00","guid":{"rendered":"http:\/\/localhost\/killam-dev\/?post_type=scholars&p=3152"},"modified":"2024-05-27T16:02:46","modified_gmt":"2024-05-27T16:02:46","slug":"andre-gaudreault-le-cinema-une-perspective-archeologique-et-limpact-du-nume","status":"publish","type":"scholars","link":"https:\/\/killamlaureates.ca\/fr\/laureates\/andre-gaudreault-le-cinema-une-perspective-archeologique-et-limpact-du-nume\/","title":{"rendered":"Andr\u00e9 Gaudreault – Prix Killam 2018"},"content":{"rendered":"

\u00ab\u00a0J\u2019ai fini par constater que les grandes id\u00e9es proviennent souvent de l\u2019attention accord\u00e9e aux tr\u00e8s petits d\u00e9tails.\u00a0\u00bb<\/p><\/blockquote>\n

Andr\u00e9 Gaudreault est professeur au D\u00e9partement d\u2019histoire de l\u2019art et d\u2019\u00e9tudes cin\u00e9matographiques de l\u2019Universit\u00e9 de Montr\u00e9al et titulaire de la Chaire de recherche du Canada en \u00e9tudes cin\u00e9matographiques et m\u00e9diatiques. Il est \u00e9galement le directeur du Laboratoire Cin\u00e9M\u00e9dias, qui englobe, outre le projet Cin\u00e9Montage, le Groupe de recherche sur l\u2019av\u00e8nement et la formation des institutions cin\u00e9matographique et sc\u00e9nique (GRAFICS), le partenariat international de recherche TECHN\u00c8S et l\u2019Observatoire du cin\u00e9ma au Qu\u00e9bec. Historien reconnu du cin\u00e9ma des premiers temps et pionnier de la narratologie filmique, il s\u2019int\u00e9resse tout particuli\u00e8rement, dans le cadre de ses recherches actuelles, \u00e0 l\u2019av\u00e8nement du montage, au ph\u00e9nom\u00e8ne de la retransmission d\u2019op\u00e9ras en salles de cin\u00e9ma, aux innovations technologiques envisag\u00e9es dans une perspective \u00ab\u00a0arch\u00e9ologique\u00a0\u00bb et \u00e0 l\u2019impact du num\u00e9rique sur l\u2019univers m\u00e9diatique. Il a notamment publi\u00e9 Du litt\u00e9raire au filmique. Syst\u00e8me du r\u00e9cit (1988), ainsi que Cin\u00e9ma et attraction (2008), et co\u00e9crit La fin du cin\u00e9ma? Un m\u00e9dia en crise \u00e0 l\u2019\u00e8re du num\u00e9rique (avec Philippe Marion, 2013) et Le r\u00e9cit cin\u00e9matographique. Films et s\u00e9ries t\u00e9l\u00e9vis\u00e9es (avec Fran\u00e7ois Jost, 1990 et 2017).<\/p>\n

Photo: Jo\u00ebl Lehmann, (c) Labo Cin\u00e9M\u00e9dias<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00ab\u00a0J\u2019ai fini par constater que les grandes id\u00e9es proviennent souvent de l\u2019attention accord\u00e9e aux tr\u00e8s petits d\u00e9tails.\u00a0\u00bb<\/p>\n","protected":false},"featured_media":2666,"template":"","meta":{"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_links_to":"","_links_to_target":""},"categories":[118],"tags":[29],"class_list":["post-3152","scholars","type-scholars","status-publish","has-post-thumbnail","hentry","category-conseil-des-arts-du-canada","tag-sciences-humaines"],"featured_image_urls_v2":{"full":["https:\/\/killamlaureates.ca\/wp-content\/uploads\/2020\/07\/GaudreaultWeb.jpg",712,447,false],"thumbnail":["https:\/\/killamlaureates.ca\/wp-content\/uploads\/2020\/07\/GaudreaultWeb-150x150.jpg",150,150,true],"medium":["https:\/\/killamlaureates.ca\/wp-content\/uploads\/2020\/07\/GaudreaultWeb-300x188.jpg",300,188,true],"medium_large":["https:\/\/killamlaureates.ca\/wp-content\/uploads\/2020\/07\/GaudreaultWeb.jpg",712,447,false],"large":["https:\/\/killamlaureates.ca\/wp-content\/uploads\/2020\/07\/GaudreaultWeb.jpg",712,447,false],"1536x1536":["https:\/\/killamlaureates.ca\/wp-content\/uploads\/2020\/07\/GaudreaultWeb.jpg",712,447,false],"2048x2048":["https:\/\/killamlaureates.ca\/wp-content\/uploads\/2020\/07\/GaudreaultWeb.jpg",712,447,false],"small-square":["https:\/\/killamlaureates.ca\/wp-content\/uploads\/2020\/07\/GaudreaultWeb-217x217.jpg",217,217,true],"square-large":["https:\/\/killamlaureates.ca\/wp-content\/uploads\/2020\/07\/GaudreaultWeb-500x447.jpg",500,447,true]},"post_excerpt_stackable_v2":"

\u00ab\u00a0J\u2019ai fini par constater que les grandes id\u00e9es proviennent souvent de l\u2019attention accord\u00e9e aux tr\u00e8s petits d\u00e9tails.\u00a0\u00bb<\/p>\n","category_list_v2":"Conseil des arts du Canada<\/a>","author_info_v2":{"name":"","url":""},"comments_num_v2":"0 commentaire","yoast_head":"\nAndr\u00e9 Gaudreault - Prix Killam 2018 - Killam Laureates<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/killamlaureates.ca\/fr\/laureates\/andre-gaudreault-le-cinema-une-perspective-archeologique-et-limpact-du-nume\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Andr\u00e9 Gaudreault - Prix Killam 2018 - Killam Laureates\" \/>\n<meta property=\"og:description\" content=\"\u00ab\u00a0J\u2019ai fini par constater que les grandes id\u00e9es proviennent 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